HOW IS MASCULINE IDEOLOGY REPRESENTED IN RADITYA DIKA'S STAND-UP COMEDY?
Received: 23rd June 2023; Revised: 12th September 2023, 03rd October 2023; Accepted: 07th October 2023
DOI:
https://doi.org/10.20319/pijss.2023.93.5364Keywords:
Masculinity, Humor, Stand-up comedy, Raditya DikaAbstract
This research aims to explicate how the ideology of masculinity is represented in Raditya Dika's stand-up comedy. Stand-Up Comedy Raditya Dika (SUCRD) is a collection of stand-up comedy performances created by comedian and writer Raditya Dika since 2016. Humor centered around masculinity and all things related to it consistently features in Raditya Dika's stand-up material. Using Roland Barthes' semiotic approach, this research examines masculinity within the context of SUCRD performances, with a specific focus on one episode titled Cowok Goblok featuring two monologues. This episode serves as an illustrative example of how masculine ideology is represented. The researcher limits the scope to one episode to avoid data saturation. Two key findings emerge from this study. Firstly, masculine ideology is conveyed verbally through the use of affiliative humor and self-enhancing humor. Secondly, masculine ideology is represented through narratives about decision-making, maturity, characteristics, expectations, and appearance of men. Stand-up comedy serves as a medium and space for the perpetuation of masculinity.
References
Abrahams, D. (2020). Winning over the audience: Trust and humor in stand-up comedy. The Journal of Aesthetics and Art Criticism, 78(4), 491-500. https://doi.org/10.1111/jaac.12760
Anggraini, R. (2022, October 26). Grup komedian perempuan Hongkong sebarkan isu pemberdayaan perempuan melalui stand-up comedy. Retrieved from beautynesia: https://www.beautynesia.id/life/grup-komedian-perempuan-hong-kong-ini-sebarkan-isu-pemberdayaan-perempuan-melalui-stand-up-comedy/b-264269
Balkin, S. (2023). On quitting: Dave Chappelle's The Closer and Hannah Gadsby's Nanette. The Drama Review, 67(1), 149-166. https://doi.org/10.1017/S1054204322000958
Beynon, J. (2002). Masculinities and culture. Philadelphia: Open University Press.
Boellstorff, T. (2005, December). Between religion and desire: Being muslim and gay in Indonesia. American Anthropologist, 107(4), 575-585. https://doi.org/10.1525/aa.2005.107.4.575
Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
Connell, R. W., & Messerschmidt, J. W. (2005). Hegemonic masculinity: Rethinking the concept. Gender & Society, 19(6), 829-859. https://doi.org/10.1177/0891243205278639
Cooper, S. K. (2019). What’s so funny? Audiences of women’s stand-up comedy and layered referential viewing: Exploring identity and power. The Communication Review, 22(2), 91-116. https://doi.org/10.1080/10714421.2019.1599666
Fadilah, E. R. (2015). Humor dalam wacana stand-up comedy Indonesia season 4 di Kompas TV. Semarang: Universitas Negeri Semarang.
Kawalec, A. (2020). Stand-up comedy as a hallmark of western culture. Journal of Aesthetic & Culture, 12(1), 1-11. https://doi.org/10.1080/20004214.2020.1788753
Kimmel, M. S., & Aronson, A. (2004). Men and masculinities: A social, cultural, and historical encyclopedia. California: ABC-CLIO.
Lindfors, A. (2019). Cultivating participation and the varieties of reflexivity in stand-up comedy. Journal of Linguistic Anthropology, 29(3), 276-293. https://doi.org/10.1111/jola.12223
Lubis, M. S. (2017, Januari). Kemerdekaan gaya bahasa Raditya Dika dalam stand-up comedy. Jurnal Education and Development, 4(3), 26-32.
Martin, R. A., Puhlik-Doris, P., Larsen, G., Gray, J., & Weir, K. (2003). Individual differences in uses of humor and their relation to psychological well-being: Development of the humor style questionnaire. Journal of Research in Personality, 37, 48-75. https://doi.org/10.1016/S0092-6566(02)00534-2
Padilla, K. (2023, September 8). Five Texas-based comedians talk sexism in comedy. Retrieved from Texas Public Radio: https://www.tpr.org/arts-culture/2023-09-08/five-texas-based-comedians-talk-sexism-in-comedy
Pauwels, M. (2021). Anti-racist critique through racial stereotype humour: What could go wrong? Theoria, 85-113. https://doi.org/10.3167/th.2021.6816904
Plester, B. (2015). "Take it like a man!": Performing hegemonic masculinity through organizational humour. Ephemera, 15(3), 537-559.
Raditya Dika. (2023). Retrieved from YouTube: https://www.youtube.com/@radityadika
Rahmanadji, D. (2007). Sejarah, teori, jenis, dan fungsi humor. Malang: Seni dan Desain Fakultas Sastra Universitas Negeri Malang,
Sihombing, L. H., Fajri, A. R., Sonali, M. D., & Lestari, P. (2023). Indonesian stand-up comedy: A new developing industry of youth culture. Humaniora, 14(1), 1-10. https://doi.org/10.21512/humaniora.v14i1.8381
Sudarsono, S. C. (2016). Dominasi semu perempuan atas laki-laki yang tercermin dalam wacana stand-up comedy Raditya Dika. Seminar Tahunan Linguistic (pp. 1-5). Bandung: Program Studi Linguistik Sekolah Pascasarjana Universitas Pendidikan Indonesia.
Tosun, S., Faghihi, N., & Vaid, J. . (2018, February 28). Is an ideal sense of humor gendered? A cross-national study. Frontiers in Psychology, 9(199), 1-8. https://doi.org/10.3389/fpsyg.2018.00199
Wetterberg, L. (2012). Deconstructing Chappelle's Show: Race, masculinity, and comedy as resistance. Mankato: Minnesota State University.
Zakos, K. P. (2009). Racial satire and Chappelle's Show. Geordia State University. https://doi.org/10.57709/1061316
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Nurfadhela Faizti, Sumekar Tanjung
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.