THE EMERGENCE OF DEATH REPRESENTATIONS IN VISUAL ARTS: STEREOTYPES AND SOCIAL REALITIES
DOI:
https://doi.org/10.20319/pijss.2016.s21.17331743Keywords:
Death Representations, Visual Arts, Multimedia, Communication, Art and DesignAbstract
This article will investigate the impact of Information and Communication Technologies (ICT) on the contemporary practices of today's artists. Therefore, this investigation will lead to an analogy between the visual representations created by the artist and the representations created by the various forms of ICT. Accordingly, do the artists in this regards critique the stereotypical representations of images or do they copy what they see, the artwork may appear in different visualizations, but the concept is the same. What is the role of the artist in telling the real story behind the fake image created by media? The contemporary artists in some cases created clear distinctions between media and art. The images of death and terror in global media created a strong impact on the global art scene, where some artists copied those images without investigating the real situation on ground. They became another tool controlled by false messages. However, other contemporary artists started to investigate the social reality of media messages and analyse it in their art. Some artists led significant role in criticizing the common stereotypes, which the global media had established in the late few years.
References
Ali, W. (2001). From the Literal to the Spiritual: the Development of the Prophet Muhammad’s Portrayal from 13th Century Ilkhanid Miniatures to 17th Century Ottoman Art.
Proceedings of the 11th International Congress of Turkish Art, Utrecht, the Netherlands, August, 23-28, 1999, No. 7, pp. 1-24. Ali, W. (2003). Clichés of Muslim Women in the West and Their Own World. Diogenes, August, Vol. 50, No.3, pp. 77-87.
Anderson, E. W. & Anderson, L. D. (2010). An Atlas of Middle Eastern Affairs. New York: Routledge.
Berger, P. L. & Luckmann, T. (1966). The Social Construction of Reality: A Treatise in the Sociology of Knowledge. London: Penguin Books.
D'Alleva, A.(2005). Methods & Theories of Art History. London: Laurence King Publishing Limited
D'Alleva, A.(2006). How to Write Art History. London: Laurence King Publishing Limited.
Danto, A.C. (2001). Philosophizing Art. New Jersey: University of California press.
Elkins, J. (2007). Is Art History Global. London & New York: Routledge.
Frascina, F. & Harris, J. (1997). Art in Modern Culture: an anthology of critical texts. London: Phaidon.
Gharran, A. (2009). The Influence of Palestinian Folklore in Ismail Shamoot Paintings (unpublished master’s thesis), Plastic Arts Dep. Faculty of Fine Arts, Yarmouk University, Irbid.
Gilbert, N. (2008). Researching Social Life (3rd Ed.). London: SAGE Publication Ltd.
Gombrich, E.H. (1995). The Story of Art (16th Ed).Oxford: Phaidon.
Harris, J. (2001). The New Art History: A Critical Introduction. London & New York: Routledge. http://dx.doi.org/10.1111/1467-8365.00293 http://dx.doi.org/10.1111/1467-8365.00286
Harris, J. (2007). Writing Back to Modern Art: after Greenberg, Fried, and Clark. London & New York: Routledge.
Harris, J. (2011). Globalization and Contemporary Art. Oxford: Wiley Black-well.
Harris, J. (2013). The Utopian Globalist: Artists of World Wide Revolution, 1919-2009. Oxford: Wiley Black-well. http://dx.doi.org/10.1002/9781118318164
Ottaway, M., Brown, N., Hamzawy, A., Sadjadpour, K. and Salem, P. (2008). The New Middle East, Washington: Carnegie Endowment for International peace.
Owen, R. (2004). State, Power and Politics in the Making of the Modern Middle East. London and New York: Routledge.
Pappe, I. (2010). The Modern Middle East (2nd Ed.). London and New York: Routledge.
Preziosi, D. & Farago, C. (2012).Art Is Not What You Think It Is. Oxford: Wiley Black-well. http://dx.doi.org/10.1002/9781444354300
Preziosi, D. (2009). The Art of Art History. London: Oxford University Press.
Said, E. W. (1978). Orientalism. New York: Vintage Book.
Seal, C. (2012). Researching Society and Culture (3ed ed.).London: SAGE Publication Ltd.
Searle, J. (1995). The Construction of Social Reality. London: Penguin Books.
Sen, A. (2006). Identity and Violence. New York: W.W. Norton & Company.
Shabout, N. (2007). Modern Arab Art. Florida: Florida University press.
Shabout, N. (2012), Rethinking Contemporary Arab Art. In Fumio Nanjo et al., Arab Express: The latest Art from the Arab World. (exhibition catalogue, 16 June -28 October, 2012). Tokyo: Mori Art Museum. pp. 172-177.
Shalabi, M. (2008). The Capacity of Contemporary Installation Art in Provoking the Palestinian Question (unpublished master’s thesis). Plastic Arts Dep. Faculty of Fine Arts, Yarmouk University: Jordan.
Sloman, P. (2009). Contemporary Art in the Middle East. London: Black Doge Publication Limited.
Stewart, D. (2009). The Middle East Today: Political, Geographical and Cultural Perspectives. London and New York: Routledge.
Sullivan. G. (2005). Art Practice as Research: Inquiry in the Visual Arts. London: SAGE Publication Ltd. http://dx.doi.org/10.1037/1089-2699.9.2.87
Tinkler, P. (2013). Using Photographs in Social and Historical Research. London: SAGE Publication Ltd.
Yusuf, F. (2014). الفن في متاهة [The Art in Confusion]. Amman: The Arab Institute for Research and Publishing.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Authors
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.