FORMALISTIC AND NARRATIVE IN PROJECTION MAPPING PAINTING: HABITAT

Authors

  • Imelda Ann Achin Borneo Heritage Research Unit (BoHRU) Faculty of Humanities, Arts and Heritage University Malaysia Sabah Kota Kinabalu, Malaysia
  • Addley Bromeo Bianus Borneo Heritage Research Unit (BoHRU) Faculty of Humanities, Arts and Heritage University Malaysia Sabah Kota Kinabalu, Malaysia

DOI:

https://doi.org/10.20319/pijss.2015.s21.829841

Keywords:

Formalistic, Narrative, Projection Mapping Painting, Habitat, Borneo Butterflies

Abstract

The projection mapping painting work entitled ‘Habitat’ is a creative production through the MATRIX project which emphasizes on the global warming issues towards the Borneo butterfly species in Sabah. In par with the advancement of technology in the producing of creative artworks, ‘Habitat’ applies the combination of technology into paintings to create an innovation in the acceptance of creative painting work. This article is a review of the formalistic aspect principles and the narrative projection mapping painting which emphasizes on cinematography and interpretation of story in the ‘Habitat’. The narrative chain is interpreted in the space and time according to the relevance of the materials experimented. In the context of using new digital media, artists need more research about a material to be featured in delivering a more effective narration.

References

Bordwell, David & Thompson, Kristin (2008) Film Art: An Introduction. New York: McGraw-Hill.

Mascelli, Joseph V. (1965). The Five C’s in Cinematography. Los Angeles: Cine/ Grafic Publications

Norhayati, A. M., & Siew, P. H. (2004, July) Malaysian Perspective: Designing Interactive Multimedia Learning Environment for Moral Values Education. Educational Technology & Society, 7 (4), 143-152.

Pedersen. (1995). the Five Stages of Culture Shock: Critical Incidents around the World. America: Greenwood Publishing Group

Pramaggiore, Maria & Wallis, Tom (2008) Film: A Critical Introduction. London: Larence King

Schank, R. (1990).Tell Me a Story: A New Look at Real and Artificial Memory. New York: Charles Scribner’s Sons

Field, Syd. (2006) Screenplay and The Screen Writer’s Workbook New York: Delta Trade Paperbacks

Tsou, W., Wang & Tzeng, Y (2006) Applying A multimedia Storytelling Website in Foreign Language learning. Computer & Education. http://dx.doi.org/ 10.1016/j.c omped u.2 004.08.013

Wagamese, R. (1997, September 11). Telling stories: The Oral Story - Telling Tradition. Retrieved from http://www.sifc.edu/english/secure/2ERLit.htm

Downloads

Published

2015-07-01

How to Cite

Achin, I. A., & Bromeo, A. B. (2015). FORMALISTIC AND NARRATIVE IN PROJECTION MAPPING PAINTING: HABITAT. PEOPLE: International Journal of Social Sciences, 1(1), 829–841. https://doi.org/10.20319/pijss.2015.s21.829841